Iaito Minosaka Higo Koshirae
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Order today and we will ship before
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Price may increase depending on customizations
Iaito Customizations
All orders are final. No modification or cancellation will be accepted once an order is placed. Short production delays do not give right to cancellation.
The production time is 3 to 6 weeks for Minosaka Iaito depending on selected options. We will contact you within 3 business days after you passed your order if the completion date estimated by the workshop is later than the shipping date indicated at checkout.
To ensure that you haven't missed anything, all options must be selected, even when you want a standard element.
Even if an option is visible on the product's pictures, it is not available for this specific product if it is not visible in the selection. All available options are displayed in that selection and we will not accept any request for options not listed below.
We strongly recommend reading in details our guide "How to Choose your Iaito" and taking time to make sure that each option corresponds to your wish before placing an order for a custom Iaito.
Blade Length
The blade length is measured in the Japanese traditional unit called Shaku. One Shaku equals 30.3 cm, or roughly 1 feet (0.994 Ft.). Its sub-unit is the "Sun". There are ten "Sun" in one "Shaku", so 5 Sun can also be written 0.5 Shaku. Please note that a blade length does not include the Habaki (see pictures), but is measured in a straight line from the tip (Kissaki) to what is called the Munemachi (base of the blade), hidden under and partly covered by the Habaki. Light and standard blades are available for lengths up to 2.55 Shaku and thick/heavy blades are available for lengths up to 2.70 Shaku, owing to the alloy’s resistance. Wakizashi are available from 1.30 to 1.50 Shaku.
The Satsuma Koshirae is the only Iaito that can be manufactured up to 3 shaku. The blade being specifically designed and manufactured for extra long blade, it is not possible to manufacture it under 2. 80 shaku.
The blade length depends on your height, on your arms length and on the school in which you practice. The size table below is the official recommendation of the Japanese Iaido Federation. Women are advised to use a blade one size shorter than that of men of the same height. We also recommend for people who are not specialists (Aikidoka for example) to use a blade a size shorter than the recommendation, because it will make the sword unsheathing/sheathing easier.
Blade length is of course related to the Saya length, but note that for a same blade length, the Saya length can slightly vary.
Please also make sure to consult your teacher to check that the size table below is applicable to your school.
Please note that the size recommendation does not apply to Wakizashi as the Iaido federation does not provide such recommendations. However, we do recommend avoiding too long blades for small practitioners
Your height | Length for men | Length for women |
---|---|---|
1.30 shaku / 39.4 cm | 1.30 shaku / 39.4 cm | |
1.35 shaku / 40.9 cm | 1.35 shaku / 40.9 cm | |
1.40 shaku / 42.4 cm | 1.40 shaku / 42.4 cm | |
1.45 shaku / 43.9 cm | 1.45 shaku / 43.9 cm | |
1.50 shaku / 45.4 cm | 1.50 shaku / 45.4 cm | |
~ 150 cm | 2.20 shaku / 66.6 cm | N/A |
~ 155 cm | 2.25 shaku / 68.2 cm | 2.20 shaku / 66.6 cm |
~ 160 cm | 2.30 shaku / 69.6 cm | 2.25 shaku / 68.2 cm |
~ 165 cm | 2.35 shaku / 71.2 cm | 2.30 shaku / 69.6 cm |
~ 170 cm | 2.40 shaku / 72.7 cm | 2.35 shaku / 71.2 cm |
~ 175 cm | 2.45 shaku / 74.2 cm | 2.40 shaku / 72.7 cm |
~ 180 cm | 2.50 shaku / 75.8 cm | 2.45 shaku / 74.2 cm |
~ 185 cm | 2.55 shaku / 77.3 cm | 2.50 shaku / 75.8 cm |
~ 190 cm | 2.60 shaku / 78.8 cm | 2.55 shaku / 77.3 cm |
Up to 200 cm | 2.70 shaku / 81.8 cm | N/A |
Blade Groove
The groove, called “Hi” or “Bohi” in Japanese, has several purposes: it can make the blade lighter and more flexible, or it can help to drain the blood for instance. Minosaka offers a few custom options for the groove but of course, there is no finish available when the chosen option is "without groove".
- Hi Dome: Standard: the groove has an ogival shape and stops approximately 4 cm from the Habaki.
- Hi Dome: Kakinagashi: the groove goes on under the Habaki. It makes the blade even lighter and moves the balance of the blade further towards the Tsuka.
- Hi Saki: Shinken: this kind of finish looks like the grooves that can be found on Shinken. The tips of the grooves where they connect with the Kissaki (tip of the blade) are manually and delicately crafted so that both merge very naturally in the form of a triangle (standard groove have an ogival shape). This option is particularly good-looking.
For blade lengths of 2.3 shaku and below, the groove may come under the Habaki
Blade Hamon
For a real steel blade, clay is applied on the blade before the cooling process, and the difference in hardness between the edge and the rest of the blade results in this line called "Hamon". It defines the transition between the region of harder martensitic steel at the blade's edge and the softer pearlitic steel at the center and back of the sword. This difference in hardness is the goal of the whole process; the appearance is purely a side effect but the Hamon became a very important artistic feature that defines the level of mastery of the swordsmith. As Iaito are being made from an alloy, the Hamon is printed by depolishing the blade using specific patterns. Minosaka's craftsmen do their best to reproduce the most famous Hamon.
The Suguha, Midare, Notare and Gunome Hamon are standardized Hamon. They are a kind of combination between the most common types of existing Hamon. All other models are fairly faithful reproductions of Hamon existing on ancient blades. Hamon are named either by the name of the Samurai who possessed the sword (for famous swords) or by the name of the Swordsmiths (for the most famous swordsmith). Their price depends on the quantity of work needed to reproduce them.
Habaki & Seppa
The habaki is the piece of metal circling the base of the blade. It has two main purposes: locking the tsuba in its place and holding the sword into the Saya.
Unlike the Shinken Habaki which can be very expensive, the Iaito Habaki are standardized and gently forced into place. This means removing or changing the Habaki on an Iaito blade is not recommended.
Habaki are made of brass and are available in three different designs: Muji, Shonai, and Yujo, and in 3 different finishes: black (oxidized), gold plated, and silver plated. Please note that due to the oxidation process, it is not possible to blacken the Shonai design.
The Seppa are washers used in front and behind the tsuba to tighten the fittings, made of copper or brass. They are compulsory to keep the Tsuba safely in place.
They are available in brass, copper, black (oxidized), gold-plated brass, and silver-plated brass.
Tsuba
The Tsuba is the sword's guard. It has the function of protecting the hand from the opponent's blade but also from having one's hand sliding onto the blade during Tsuki (thrust) techniques.
However, it has two other qualities: aesthetics and balance adjustment. During the Edo period, the Tsuba turned progressively into a decorative ornament. It was often generously well made, giving every sword a personal and particular touch.
There can be one or two holes on the sides of the Tsuba. They were used to unsheathe the Kogatana (small knife) or Kogai (hairpin) that were fitted inside the sides of the Saya. Tsuba used to be made by entire dynasties of craftsmen who only specialized in that particular field; they have almost vanished in the present time.
The average weight of a standard Tsuba is 120 g.
A heavy Tsuba (> 120 g) will tend to shift the balance downwards the handle, making the Iaito easier to handle whereas a light Tsuba (< 120 g) will push the balance towards the Kissaki, the tip of the blade. The latter is recommended if you decide to focus on cutting training. You will find below some pictures of all our Tsuba but also details on size, material, and weight.
The Sukashi series, from TM031 to TM036 is a special series of widely opened Tsuba (called Sukashi). Made of blackened iron, they are coated by hand with a traditional lacquer.
Please note that the pictures above only display the front side of the Tsuba. You can find pictures of the reverse of each Tsuba on the dedicated product page.
Tsuba Technical Specifications
Code Name |
Description | Material | Dimensions | Weight |
---|---|---|---|---|
TM001 Washi |
Eagle | Blackened iron | 75 mm x 70 mm x 4.1 mm | 136 g |
TM002 Yagyu |
Name of a famous Samurai clan. Also called Kuruma Sukashi. | Blackened copper | 75 mm x 73 mm x 5.3 mm | 123 g |
TM003 Shippo |
The 7 treasures (gold, silver, pearls, agate, crystal, coral, lapis lazuli) | Blackened iron | 74 mm x 70 mm x 4.1 mm | 135 g |
TM004 Hanjiro |
Favored by the famous samurai Hanjiro. | Blackened copper | 79 mm x 65 mm x 6 mm | 142 g |
TM005 Umetada |
Design by a famous blacksmith of the Edo period | Blackened iron | 84 mm x 75 mm x 4.3 mm | 150 g |
TM006 Hyotan |
Gourd (calabash) | Blackened copper | 71 mm x 70 mm x 5 mm | 126 g |
TM007 Musashi |
Used by the most famous of all samurai | Blackened copper | 74 mm x 74 mm x 7.1 mm | 146 g |
TM008 Kasuga |
Kasuga refers to the shape of the Tsuba. | Blackened iron | 84 mm x 76 mm x 4.1 mm | 138 g |
TM009 Ameryu |
Dragon under the rain | Blackened iron | 81 mm x 77 mm x 4.1 mm | 147 g |
TM010 Namako |
Holothuroidea (sea cucumber) | Blackened iron | 74 mm x 69 mm x 4.1 mm | 90 g |
TM011 Muji |
Plain (no pattern) | Blackened iron | 74 mm x 69 mm x 4.1 mm | 134 g |
TM012 Kagecho |
Butterfly shadow | Blackened copper | 74 mm x 72 mm x 5 mm | 106 g |
TM013 Nami |
Waves | Blackened iron | 81 mm x 77 mm x 4.1 mm | 145 g |
TM014 Hirata |
Design by a famous blacksmith of the Edo period | Blackened copper | 76 mm x 72 mm x 4.5 mm | 120 g |
TM015 Higo |
A famous design of the Higo province (now Kumamoto) | Blackened iron | 75 mm x 71 mm x 4.1 mm | 90 g |
TM016 Shin Umetada |
Design by a famous blacksmith of the Edo period | Blackened iron | 85 mm x 76 mm x 4.1 mm | 165 g |
TM017 Icho Zogan (Kasuga) |
Kasuga shape with silver ginkgo arabesque | Blackened iron | 84 mm x 77 mm x 4.1 mm | 141 g |
TM018 Mitsuboshi Sansumi Sukashi |
Represents a constellation of 3 stars in triangle. This is also Minosaka's logo. | Blackened iron | 77 mm x 77 mm x 5 mm | 100 g |
TM019 Mokko Namako Sukashi |
Namako (Holothuroidea) within a Mokko shape | Blackened iron | 72 mm x 75 mm x 5 mm | 110 g |
TM020 Yatsushiro Kagecho Sukashi |
Copy of an ancient Tsuba made by master Yatsushiro. Represents the shadow of a butterfly. | Blackened Iron | 77 mm x 75 mm x 5 mm | 100 g |
TM021 Shiho Namako Sukashi |
4 Holothuroidea (sea cucumber) | Blackened Iron | 79 mm x 74 mm x 5 mm | 115 g |
TM022 Akasaka Musashino Sukashi |
Japanese pampas grass turned over after a storm, under a moon crescent | Blackened iron | 75 mm x 78 mm x 5 mm | 100 g |
TM023 Hanamon Sukashi |
Flower petals - Famous Japanese crest | Blackened iron | 79 mm x 79 mm x 5 mm | 60 g |
TM024 Yotsuwa Sukashi |
4 imbricated rings. | Blackened Iron | 72 mm x 73 mm x 5 mm | 90 g |
TM025 Ouka Sukashi |
Represent a Sakura flower (cherry blossom). Also the lightest of all Tsuba. | Blackened Iron | 77 mm x 82 mm x 4.5 mm | 60 g |
TM026 Owari Sukashi |
Tsuba made in the tradition of the Owari province (now Aichi prefecture). | Blackened Iron | 81 mm x 80 mm x 4.5 mm | 100 g |
TM027 Kuyo Sukashi |
Features the symbolic 9 planets planets in the buddhism cosmogony. | Blackened Iron | 86 mm x 86 mm x 5 mm | 165 g |
TM028 Kagi Sukashi |
Japanese hook symbol | Blackened iron | 83 mm x 83 mm x 5 mm | 100 g |
TM029 Yatsu Warabite Sukashi |
8 Warabite (Japanese traditional symbol) | Blackened iron | 79 mm x 79 mm x 5 mm | 130 g |
Tsuka Length
The Tsuka, or handle, is made of Japanese magnolia wood. On a Shinken, the Same is a piece of shark skin wrapped around the wood to reinforce the Tsuka structure. However, the Tsuka on a Iaito only features small pieces of shark skin that are inlaid in the wood on each side, for the aesthetics but also, so that the cost remains affordable.
The length of the Tsuka is measured including the Fuchi and the Kashira dimensions. Depending on the kind of Tsukaito (cotton, silk, leather), the length of the Tsuka can be slightly adapted to get a precise result.
In most schools, the length of the Tsuka should be sufficient to put one hand of the practitioner three times (that is, there should be a space equal to one hand between your hands when you hold the sword).
The length of the Tsuka will also have to be rather important regarding the balance of the Iaito. If you want to keep a standard balance, we recommend that you follow the indications below.
Blade Length | Recommended Tsuka Length |
---|---|
1.30 ~ 1.35 Shaku blade | 5.5 ~ 6 sun Tsuka |
1.40 ~ 1.45 Shaku blade | 6 ~ 6.5 sun Tsuka |
1.50 Shaku blade | 6.5 ~ 7 sun Tsuka |
2.20 ~ 2.25 Shaku blade | 7.5 ~ 8 sun Tsuka |
2.20 ~ 2.25 Shaku blade | 7.5 ~ 8 sun Tsuka |
2.30 ~ 2.35 Shaku blade | 8 ~ 8.5 sun Tsuka |
2.40 ~ 2.45 Shaku blade | 8.5 ~ 9 sun Tsuka |
2.50 ~ 2.55 Shaku blade | 9 ~ 9.5 sun Tsuka |
2.60 ~ 2.70 Shaku blade | 9.5 ~ 10 sun Tsuka |
Tsukaito
The Tsukaito has two main goals: it serves as a grip and it holds the Tsuka tightly. A tightly wrapped Tsuka is extremely important for security.
Cotton allows better absorption of the sweat but it is less durable than silk and leather. It is the standard option for most Iaito.
Silk feels a little harder and is sometimes not recommended for beginners. However, it has a significantly longer lifespan.
Sweat is not really absorbed by Leather but this latter offers an excellent grip and it is the most durable material. Leather is available in standard and suede version (napped finish). The latter has a slightly better grip but it is slightly less durable.
Please note that those materials are made traditionally - they are not mass-produced. Therefore, colors can slightly vary depending on the batch.
In general, the Tsukaito is of the same color as the Sageo to keep the fitting harmonious, but this is not compulsory; you can select two different colors if you like.
Tsuka Same & Maki
The Samekawa or "shark skin" is the part under the Tsukaito. Shark hunting is no longer practiced nowadays; therefore, despite the name “samekawa”, it’s actually stingray skin which is used. Its main goal is to keep the Tsukaito into place and to reinforce the Tsuka structure. The Same is sanded and polished in order to produce a durable superior-quality type of leather.
On live blades (Shinken) mounts, the Same is a "maki same", which wraps the Tsuka wood. However, for cost reasons, the Iaito Tsuka is made with two rectangular pieces of Same inlaid in the Tsuka. This is called Tanzaku-same.
The "Makisame" is a large piece of stingray skin which wraps the Tsuka. It makes the Tsuka slightly bigger and it significantly strengthens it, which improves its grip and its lifetime. The Makisame is made the same way Shinken Same are made.
Please note that we also offer a plastic Same option for customers concerned about animal protection. The plastic Same is only available as a "Tanzaku Same only" (Makisame is not possible).
The Tsukamaki is the way the tsukaito (cord) is wrapped around the Tsuka. The Hinerimaki is the standard wrapping, known by all practitioners.
The Hiramaki is a very specific wrapping that enables to make the centre of the Tsuka flat. This is a popular wrapping in Iai schools which use an important number of single-handed techniques/moves.
In order to hold the Menuki correctly, the cord goes over the Menuki on each side (which may significantly hide the Menuki if it’s a small one). Please note that we do not recommend this wrap for intensive practice as it is less durable than the standard Hinerimaki wrap.
Finally, the Katatemaki style is more designed for decoration than practice because it doesn't hold as well as the other wrappings. It is however proved that it was the wrapping used by the famous Samurai Akechi Mitsuhide. Given that the side parts of the Tsuka are left naked, this wrapping is only available with the Makisame option.
In option, we offer to put 2 Mekugi (peg) in the Tsuka. This may reassure you as 2 Mekugi make you feel safer. However, from the craftsmen's point of view, since Iaito are very rarely taken apart, this option is unnecessary. This option is not available for the Hiramaki.
Saya Lacquer
The Saya is made of two pieces of Japanese magnolia wood that are glued together. It is reinforced by the Sayajiri (end of the Saya), the Koiguchi, and of course, the lacquer. Unlike Shinken, Saya lacquers for Iaito are not made from traditional Urushi lacquer but from modern urethane lacquer, due to financial reasons.
Lacquers with a name ending in "ro" have a glossy finish, with a perfectly smooth surface. Lacquers with a name ending in "ishime" have a grainy finish, with a rough touch. The "ro" finish being smoother, the Saya is easier to slip in the Obi (belt).
If you plan on moving a lot with your Iaito, we recommend a "ishime" finish, which has a better resistance to scratches.
Saya Kurikata (optional)
The Kurikata is the piece placed 8 cm from the Koiguchi (Saya hole) on the Omote side of the Saya, used to interlock the Sageo.
The Kurikata is usually placed 8 cm from the Koiguchi. Depending on your body type and on the school you practice, you may want to move away the Kurikata a little. You can set the position up to 20 cm from the Koiguchi, but it shouldn't be farther than 12 to 15 cm. This option increases the production time to about 5 to 6 weeks.
The Shitodome is a small piece of brass, gold or silver plated, inserted in the Kurikata (the hole in which the Sageo goes). The Shitodome is purely decorative.
Shitodome can only be fitted on standard Kurikata. Selecting a Shitodome will change any special Kurikata (ie. Dotanuki) to a standard Kurikata.
Please note that Shitodome only fit on regular Kurikata. If you select a Shitodome for a Dotanuki model with a metal Kurikata, it will be replaced by a standard Kurikata.
Sageo
The Sageo, the twisted lace which is provided on the Saya Kurikata, has two main purposes: it is tied to the Obi (belt) to prevent the Saya from falling when the sword is carried by its owner, and it has an ornamental purpose when the sword is displayed. Some Koryu also teach how to use the Sageo as a weapon or to tie an opponent's hands (Hojujutsu). It is also said that the lace serves as a spiritual bond between the samurai and the sword.
Iaito Sageo are usually made of lower quality synthetic silk (not offered here) cotton or silk.
Cotton Sageo are available in plain colors as well as in check patterns.
Silk Sageo are only available in plain colors. Silk Sageo are woven more tightly than cotton but are also thinner, which gives them a harder touch than the cotton ones.
Please note that for the Black, Navy, and Azuki Silk Sageo, the former weaving (Kakucho) has been replaced by a new one (Shigeuchi), giving the sageo a thicker look.
The colors may vary slightly depending on batches due to the traditional dyeing techniques.
The standard Sageo length is 210 cm. Only the silk Sageo is available in 240 cm.
All Iaito are delivered with the Sageo tied with a knot called "Ronin" knot, the way most craftsmen do. It is the most common knot for decorative purposes.
Recommended Accessories
Prices vary depending on selected options.
Nishijin Weaving Traditional Iaito Bag
Made in Japan
Material: Polyester
Length: Purple (classic): 133 cm - Blue (deluxe): 133 cm | Width : 16 cm | Weight: Purple (classic): 150 g - Blue (deluxe): 180 g
Available color: purple (classic) and blue (deluxe)
This "Nishijin-ori" style bag satisfies the practitioners seeking a cover with sublime traditional weaving. With its soft lining, it suits your Iaito perfectly. With its refined pattern, this model is the best you can find in the style of "Nishijin Ori". This high-quality cover may contain 1 Iaito or 1 Shinken or a set of 3 pieces of Shinai/Bokken/Jo.
Due to the delicate fabric it is not possible to embroider this cover.
About Nishijin weaving:
A long time ago, the "Nishijin" district in Kyoto gathered numerous weavers, whose main activity consisted of manufacturing luxury cloths for the nobility. Over time, a special technique evolved with its own particularities concerning weaving, forms, colors, and fabrics.
Prices vary depending on selected options.
Synthetic Leather Iaito Bag
Made in Japan
Material: Synthetic leather
Length: 111 cm or 120 cm | Weight: 400 g (max 2.70 shaku)
Name plate option: Synthetic leather embroidered name plate (maximum 1 name)
This leatherette bag is designed to hold one Iaito up to 2.65 Shaku, including a small pocket for maintenance accessories.
- Available in 111 cm (M) or 120 cm (L).
- Reinforcement on the lower part.
- Accessory pocket.
- Synthetic leather - Water resistant.
- Adjustable and removable shoulder strap.
- Front insert to fit a name plate.
"Name Plate" Option (+1,000 JPY): Optionally, you can add a name plate embroidered with your name. This plate is made of synthetic leather, and will be directly integrated on the bag before shipping.
Please note: given the little space available, it is only possible to embroider either a first name, a last name, or a word (Aikido, Aikibudo etc.)
For more information about Japanese embroidery, please consult the page "How to Choose your Japanese Embroidery".
Prices vary depending on selected options.
Kanoko Weaving Iaito Bag
Made in Japan
Material: Cotton, Polyester
Length: 111 cm (max 2.50 shaku) | Weight: ~400 g
Name plate option: Synthetic leather embroidered name plate (maximum 1 name)
For practitioners travelling often, this cushioned model provides an excellent protection for your Iaito or Shinken
- Outer fabric cotton/polyester reinforced
- Padded interior
- Reinforcement on the lower part
- Accessory pocket
- Adjustable and removable shoulder strap
- Front insert to fit a name plate
"Name Plate" Option (+1,000 JPY): Optionally, you can add a name plate embroidered with your name. This plate is made of synthetic leather, and will be directly integrated on the bag before shipping.
Please note: given the little space available, it is only possible to embroider either a first name, a last name, or a word (Aikido, Aikibudo etc.)
For more information about Japanese embroidery, please consult the page "How to Choose your Japanese Embroidery".
Prices vary depending on selected options.
Synthetic Leather Iaito Double Bag
Made in Japan
Material: Synthetic leather
Length: 117 cm | Weight: ~650 g (max 2.55 shaku)
Name plate option: Synthetic leather embroidered name plate (maximum 1 name)
This leatherette bag is designed to hold TWO Iaito up to 2.55 Shaku or one Iaito and 2 Bokken, including 2 small pockets inside for maintenance accessories.
- Reinforcement on the lower part.
- Inside accessory pocket for licence or Nuguigami.
- Inside pocket for maintenance accessories.
- Can carry 2 Iaito or 1 Iaito + 2 Bokken or 1 Iaito + 1 Bokken with Tsuba.
- Inside Iaito pocket are secured with velcro and snap button.
- Synthetic leather - Water resistant.
- Adjustable and removable shoulder strap.
- Front insert to fit a name plate.
"Name Plate" Option (+1,000 JPY): Optionally, you can add a name plate embroidered with your name. This plate is made of synthetic leather, and will be directly integrated on the bag before shipping.
Please note: given the little space available, it is only possible to embroider either a first name, a last name, or a word (Aikido, Aikibudo etc.)
For more information about Japanese embroidery, please consult the page "How to Choose your Japanese Embroidery".
Prices vary depending on selected options.
Clarino High-End Leather Imitation Iaito Bag
Made in Japan
Material: Cotton, Polyester
Length: 111 cm (max 2.50 shaku) | Weight: ~350 g
Name Plate Option: Synthetic leather embroidered nameplate (maximum 1 name)
Especially recommended for the transport of a Shinken (Japanese sword). The material "Clarino" is widely used in the manufacture of Zekken (Kendo) or Bogu and as well for gloves and numerous equipment used by the law enforcement forces. The Clarino is a sort of synthetic leather, imitating the "Suede" leather (top quality). This material is quite rigid, very resistant yet, particularly light, manufactured in Japan by a Japanese company.
- High quality Japanese synthetic leather
- Lined with cloth
- Water-repellent
- Accessory pocket
- Reinforcement on the lower part
- Adjustable and removable shoulder strap
- Front insert to fit a nameplate
"Name Plate" Option: Optionally, you can add a nameplate embroidered with your name. This plate is made of synthetic leather and will be directly integrated into the bag before shipping.
Please note: given the little space available, it is only possible to embroider either a first name, a last name, or a word (Aikido, Aikibudo, etc.)
For more information about Japanese embroidery, please consult the page "How to Choose your Japanese Embroidery".
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Order today and we will ship before
Order today and we will ship before