Iaito Minosaka Higo Koshirae

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The Higo Koshirae is an high end Iaito, fully order-made, crafted from scratch in Japan with a sand-casted bubble-free zinc/aluminum alloy blade. This model has a "standard" blade for an average weight. It results in a classic Iaito balance, centered toward the Tsuba, and should be suitable for all practitioners. It is an excellent Iaito for beginners and intermediate alike, who have enough budget to acquire a weapon of higher quality with some customization.

Within the Minosaka lineup, the Higo model is on the middle end, with high quality Fuchi & Kashira, a higher grade finish for the Kuroro and Kuroishime lacquer, and of course, a higher grade finish for the blade (especially the Yokote).

"Higo" was a samurai clan of the Edo period whose swords were solely designed for combat effectiveness. Although many variations exist, the rounded Kashira is an immutable characteristic of this clan. The Fuchi and Kashira are of classic Higo design and feature arabesques patterns.

Given that the "Higo style" is extremely diverse and includes very different Koshirae styles, the workshop has no specific recommendation for the options. Feel free to customize this model to your liking.

Also available in short size Wakizashi Iaito: Wakizashi Iaito Minosaka Higo Koshirae.

Technical Specifications
Fuchi/Kashira FKM105 - Higo
Copper with gold inlay
Fuchi: 41 x 23 x 10 mm
Kashira: 35 x 18 x 16 mm
Blade bottom width ~32 mm
Blade end width ~20 mm
Blade bottom thickess ~6 mm
Weight for 2.45 Shaku ~840 g without Saya | ~1,100 g with Saya

Iaito Customizations

All orders are final. No modification or cancellation will be accepted once an order is placed. Short production delays do not give right to cancellation.

The production time is 3 to 6 weeks for Minosaka Iaito depending on selected options. We will contact you within 3 business days after you passed your order if the completion date estimated by the workshop is later than the shipping date indicated at checkout.

To ensure that you haven't missed anything, all options must be selected, even when you want a standard element.
Even if an option is visible on the product's pictures, it is not available for this specific product if it is not visible in the selection. All available options are displayed in that selection and we will not accept any request for options not listed below.

We strongly recommend reading in details our guide "How to Choose your Iaito" and taking time to make sure that each option corresponds to your wish before placing an order for a custom Iaito.


Blade Length


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The blade length is measured in the Japanese traditional unit called Shaku. One Shaku equals 30.3 cm, or roughly 1 feet (0.994 Ft.). Its sub-unit is the "Sun". There are ten "Sun" in one "Shaku", so 5 Sun can also be written 0.5 Shaku. Please note that a blade length does not include the Habaki (see pictures), but is measured in a straight line from the tip (Kissaki) to what is called the Munemachi (base of the blade), hidden under and partly covered by the Habaki. Light and standard blades are available for lengths up to 2.55 Shaku and thick/heavy blades are available for lengths up to 2.70 Shaku, owing to the alloy’s resistance. Wakizashi are available from 1.30 to 1.50 Shaku.

The Satsuma Koshirae is the only Iaito that can be manufactured up to 3 shaku. The blade being specifically designed and manufactured for extra long blade, it is not possible to manufacture it under 2. 80 shaku.

The blade length depends on your height, on your arms length and on the school in which you practice. The size table below is the official recommendation of the Japanese Iaido Federation. Women are advised to use a blade one size shorter than that of men of the same height. We also recommend for people who are not specialists (Aikidoka for example) to use a blade a size shorter than the recommendation, because it will make the sword unsheathing/sheathing easier.
Blade length is of course related to the Saya length, but note that for a same blade length, the Saya length can slightly vary.

Please also make sure to consult your teacher to check that the size table below is applicable to your school.

Please note that the size recommendation does not apply to Wakizashi as the Iaido federation does not provide such recommendations. However, we do recommend avoiding too long blades for small practitioners

Your height Length for men Length for women

1.30 shaku / 39.4 cm 1.30 shaku / 39.4 cm

1.35 shaku / 40.9 cm 1.35 shaku / 40.9 cm

1.40 shaku / 42.4 cm 1.40 shaku / 42.4 cm

1.45 shaku / 43.9 cm 1.45 shaku / 43.9 cm

1.50 shaku / 45.4 cm 1.50 shaku / 45.4 cm
~ 150 cm 2.20 shaku / 66.6 cm N/A
~ 155 cm 2.25 shaku / 68.2 cm 2.20 shaku / 66.6 cm
~ 160 cm 2.30 shaku / 69.6 cm 2.25 shaku / 68.2 cm
~ 165 cm 2.35 shaku / 71.2 cm 2.30 shaku / 69.6 cm
~ 170 cm 2.40 shaku / 72.7 cm 2.35 shaku / 71.2 cm
~ 175 cm 2.45 shaku / 74.2 cm 2.40 shaku / 72.7 cm
~ 180 cm 2.50 shaku / 75.8 cm 2.45 shaku / 74.2 cm
~ 185 cm 2.55 shaku / 77.3 cm 2.50 shaku / 75.8 cm
~ 190 cm 2.60 shaku / 78.8 cm 2.55 shaku / 77.3 cm
Up to 200 cm 2.70 shaku / 81.8 cm N/A

Blade Groove


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The groove, called “Hi” or “Bohi” in Japanese, has several purposes: it can make the blade lighter and more flexible, or it can help to drain the blood for instance. Minosaka offers a few custom options for the groove but of course, there is no finish available when the chosen option is "without groove".

  • Hi Dome: Standard: the groove has an ogival shape and stops approximately 4 cm from the Habaki.
  • Hi Dome: Kakinagashi: the groove goes on under the Habaki. It makes the blade even lighter and moves the balance of the blade further towards the Tsuka.
  • Hi Saki: Shinken: this kind of finish looks like the grooves that can be found on Shinken. The tips of the grooves where they connect with the Kissaki (tip of the blade) are manually and delicately crafted so that both merge very naturally in the form of a triangle (standard groove have an ogival shape). This option is particularly good-looking.

For blade lengths of 2.3 shaku and below, the groove may come under the Habaki


Blade Hamon


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For a real steel blade, clay is applied on the blade before the cooling process, and the difference in hardness between the edge and the rest of the blade results in this line called "Hamon". It defines the transition between the region of harder martensitic steel at the blade's edge and the softer pearlitic steel at the center and back of the sword. This difference in hardness is the goal of the whole process; the appearance is purely a side effect but the Hamon became a very important artistic feature that defines the level of mastery of the swordsmith. As Iaito are being made from an alloy, the Hamon is printed by depolishing the blade using specific patterns. Minosaka's craftsmen do their best to reproduce the most famous Hamon.

The Suguha, Midare, Notare and Gunome Hamon are standardized Hamon. They are a kind of combination between the most common types of existing Hamon. All other models are fairly faithful reproductions of Hamon existing on ancient blades. Hamon are named either by the name of the Samurai who possessed the sword (for famous swords) or by the name of the Swordsmiths (for the most famous swordsmith). Their price depends on the quantity of work needed to reproduce them.


Habaki & Seppa


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The habaki is the piece of metal circling the base of the blade. It has two main purposes: locking the tsuba in its place and holding the sword into the Saya.
Unlike the Shinken Habaki which can be very expensive, the Iaito Habaki are standardized and gently forced into place. This means removing or changing the Habaki on an Iaito blade is not recommended.
Habaki are made of brass and are available in three different designs: Muji, Shonai, and Yujo, and in 3 different finishes: black (oxidized), gold plated, and silver plated. Please note that due to the oxidation process, it is not possible to blacken the Shonai design.

The Seppa are washers used in front and behind the tsuba to tighten the fittings, made of copper or brass. They are compulsory to keep the Tsuba safely in place.
They are available in brass, copper, black (oxidized), gold-plated brass, and silver-plated brass.


Tsuba


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The Tsuba is the sword's guard. It has the function of protecting the hand from the opponent's blade but also from having one's hand sliding onto the blade during Tsuki (thrust) techniques.
However, it has two other qualities: aesthetics and balance adjustment. During the Edo period, the Tsuba turned progressively into a decorative ornament. It was often generously well made, giving every sword a personal and particular touch.

There can be one or two holes on the sides of the Tsuba. They were used to unsheathe the Kogatana (small knife) or Kogai (hairpin) that were fitted inside the sides of the Saya. Tsuba used to be made by entire dynasties of craftsmen who only specialized in that particular field; they have almost vanished in the present time.

The average weight of a standard Tsuba is 120 g.
A heavy Tsuba (> 120 g) will tend to shift the balance downwards the handle, making the Iaito easier to handle whereas a light Tsuba (< 120 g) will push the balance towards the Kissaki, the tip of the blade. The latter is recommended if you decide to focus on cutting training. You will find below some pictures of all our Tsuba but also details on size, material, and weight.

The Sukashi series, from TM031 to TM036 is a special series of widely opened Tsuba (called Sukashi). Made of blackened iron, they are coated by hand with a traditional lacquer.

Please note that the pictures above only display the front side of the Tsuba. You can find pictures of the reverse of each Tsuba on the dedicated product page.

Tsuba Technical Specifications

Tsuba Technical Specifications
Code
Name
Description Material Dimensions Weight
TM001
Washi
Eagle Blackened iron 75 mm x 70 mm x 4.1 mm 136 g
TM002
Yagyu
Name of a famous Samurai clan. Also called Kuruma Sukashi. Blackened copper 75 mm x 73 mm x 5.3 mm 123 g
TM003
Shippo
The 7 treasures (gold, silver, pearls, agate, crystal, coral, lapis lazuli) Blackened iron 74 mm x 70 mm x 4.1 mm 135 g
TM004
Hanjiro
Favored by the famous samurai Hanjiro. Blackened copper 79 mm x 65 mm x 6 mm 142 g
TM005
Umetada
Design by a famous blacksmith of the Edo period Blackened iron 84 mm x 75 mm x 4.3 mm 150 g
TM006
Hyotan
Gourd (calabash) Blackened copper 71 mm x 70 mm x 5 mm 126 g
TM007
Musashi
Used by the most famous of all samurai Blackened copper 74 mm x 74 mm x 7.1 mm 146 g
TM008
Kasuga
Kasuga refers to the shape of the Tsuba. Blackened iron 84 mm x 76 mm x 4.1 mm 138 g
TM009
Ameryu
Dragon under the rain Blackened iron 81 mm x 77 mm x 4.1 mm 147 g
TM010
Namako
Holothuroidea (sea cucumber) Blackened iron 74 mm x 69 mm x 4.1 mm 90 g
TM011
Muji
Plain (no pattern) Blackened iron 74 mm x 69 mm x 4.1 mm 134 g
TM012
Kagecho
Butterfly shadow Blackened copper 74 mm x 72 mm x 5 mm 106 g
TM013
Nami
Waves Blackened iron 81 mm x 77 mm x 4.1 mm 145 g
TM014
Hirata
Design by a famous blacksmith of the Edo period Blackened copper 76 mm x 72 mm x 4.5 mm 120 g
TM015
Higo
A famous design of the Higo province (now Kumamoto) Blackened iron 75 mm x 71 mm x 4.1 mm 90 g
TM016
Shin Umetada
Design by a famous blacksmith of the Edo period Blackened iron 85 mm x 76 mm x 4.1 mm 165 g
TM017
Icho Zogan (Kasuga)
Kasuga shape with silver ginkgo arabesque Blackened iron 84 mm x 77 mm x 4.1 mm 141 g
TM018
Mitsuboshi Sansumi Sukashi
Represents a constellation of 3 stars in triangle. This is also Minosaka's logo. Blackened iron 77 mm x 77 mm x 5 mm 100 g
TM019
Mokko Namako Sukashi
Namako (Holothuroidea) within a Mokko shape Blackened iron 72 mm x 75 mm x 5 mm 110 g
TM020
Yatsushiro Kagecho Sukashi
Copy of an ancient Tsuba made by master Yatsushiro. Represents the shadow of a butterfly. Blackened Iron 77 mm x 75 mm x 5 mm 100 g
TM021
Shiho Namako Sukashi
4 Holothuroidea (sea cucumber) Blackened Iron 79 mm x 74 mm x 5 mm 115 g
TM022
Akasaka Musashino Sukashi
Japanese pampas grass turned over after a storm, under a moon crescent Blackened iron 75 mm x 78 mm x 5 mm 100 g
TM023
Hanamon Sukashi
Flower petals - Famous Japanese crest Blackened iron 79 mm x 79 mm x 5 mm 60 g
TM024
Yotsuwa Sukashi
4 imbricated rings. Blackened Iron 72 mm x 73 mm x 5 mm 90 g
TM025
Ouka Sukashi
Represent a Sakura flower (cherry blossom). Also the lightest of all Tsuba. Blackened Iron 77 mm x 82 mm x 4.5 mm 60 g
TM026
Owari Sukashi
Tsuba made in the tradition of the Owari province (now Aichi prefecture). Blackened Iron 81 mm x 80 mm x 4.5 mm 100 g
TM027
Kuyo Sukashi
Features the symbolic 9 planets planets in the buddhism cosmogony. Blackened Iron 86 mm x 86 mm x 5 mm 165 g
TM028
Kagi Sukashi
Japanese hook symbol Blackened iron 83 mm x 83 mm x 5 mm 100 g
TM029
Yatsu Warabite Sukashi
8 Warabite (Japanese traditional symbol) Blackened iron 79 mm x 79 mm x 5 mm 130 g

Tsuka Length


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The Tsuka, or handle, is made of Japanese magnolia wood. On a Shinken, the Same is a piece of shark skin wrapped around the wood to reinforce the Tsuka structure. However, the Tsuka on a Iaito only features small pieces of shark skin that are inlaid in the wood on each side, for the aesthetics but also, so that the cost remains affordable.

The length of the Tsuka is measured including the Fuchi and the Kashira dimensions. Depending on the kind of Tsukaito (cotton, silk, leather), the length of the Tsuka can be slightly adapted to get a precise result.
In most schools, the length of the Tsuka should be sufficient to put one hand of the practitioner three times (that is, there should be a space equal to one hand between your hands when you hold the sword).
The length of the Tsuka will also have to be rather important regarding the balance of the Iaito. If you want to keep a standard balance, we recommend that you follow the indications below.

Blade Length Recommended Tsuka Length
1.30 ~ 1.35 Shaku blade 5.5 ~ 6 sun Tsuka
1.40 ~ 1.45 Shaku blade 6 ~ 6.5 sun Tsuka
1.50 Shaku blade 6.5 ~ 7 sun Tsuka
2.20 ~ 2.25 Shaku blade 7.5 ~ 8 sun Tsuka
2.20 ~ 2.25 Shaku blade 7.5 ~ 8 sun Tsuka
2.30 ~ 2.35 Shaku blade 8 ~ 8.5 sun Tsuka
2.40 ~ 2.45 Shaku blade 8.5 ~ 9 sun Tsuka
2.50 ~ 2.55 Shaku blade 9 ~ 9.5 sun Tsuka
2.60 ~ 2.70 Shaku blade 9.5 ~ 10 sun Tsuka

Tsukaito


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The Tsukaito has two main goals: it serves as a grip and it holds the Tsuka tightly. A tightly wrapped Tsuka is extremely important for security.

Cotton allows better absorption of the sweat but it is less durable than silk and leather. It is the standard option for most Iaito.
Silk feels a little harder and is sometimes not recommended for beginners. However, it has a significantly longer lifespan.
Sweat is not really absorbed by Leather but this latter offers an excellent grip and it is the most durable material. Leather is available in standard and suede version (napped finish). The latter has a slightly better grip but it is slightly less durable.

Please note that those materials are made traditionally - they are not mass-produced. Therefore, colors can slightly vary depending on the batch.
In general, the Tsukaito is of the same color as the Sageo to keep the fitting harmonious, but this is not compulsory; you can select two different colors if you like.


Tsuka Same & Maki


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The Samekawa or "shark skin" is the part under the Tsukaito. Shark hunting is no longer practiced nowadays; therefore, despite the name “samekawa”, it’s actually stingray skin which is used. Its main goal is to keep the Tsukaito into place and to reinforce the Tsuka structure. The Same is sanded and polished in order to produce a durable superior-quality type of leather.
On live blades (Shinken) mounts, the Same is a "maki same", which wraps the Tsuka wood. However, for cost reasons, the Iaito Tsuka is made with two rectangular pieces of Same inlaid in the Tsuka. This is called Tanzaku-same.
The "Makisame" is a large piece of stingray skin which wraps the Tsuka. It makes the Tsuka slightly bigger and it significantly strengthens it, which improves its grip and its lifetime. The Makisame is made the same way Shinken Same are made.

Please note that we also offer a plastic Same option for customers concerned about animal protection. The plastic Same is only available as a "Tanzaku Same only" (Makisame is not possible).

The Tsukamaki is the way the tsukaito (cord) is wrapped around the Tsuka. The Hinerimaki is the standard wrapping, known by all practitioners.
The Hiramaki is a very specific wrapping that enables to make the centre of the Tsuka flat. This is a popular wrapping in Iai schools which use an important number of single-handed techniques/moves.  
In order to hold the Menuki correctly, the cord goes over the Menuki on each side (which may significantly hide the Menuki if it’s a small one).  Please note that we do not recommend this wrap for intensive practice as it is less durable than the standard Hinerimaki wrap.
Finally, the Katatemaki style is more designed for decoration than practice because it doesn't hold as well as the other wrappings. It is however proved that it was the wrapping used by the famous Samurai Akechi Mitsuhide. Given that the side parts of the Tsuka are left naked, this wrapping is only available with the Makisame option.

In option, we offer to put 2 Mekugi (peg) in the Tsuka. This may reassure you as 2 Mekugi make you feel safer. However, from the craftsmen's point of view, since Iaito are very rarely taken apart, this option is unnecessary. This option is not available for the Hiramaki.


Menuki


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The Menuki are ornaments on the Tsuka to insert into the handle so as to fit into the palm for grip. Originally, they are meant to distract the eyes from the Mekugi (peg). It is generally placed under the wrapping, but they may also appear on the wrapping, especially with a Ikkan-maki or Hira-maki wrapping style. Several thousands of designs have been created over the centuries. It is considered as jewellery and as such it has inspired many craftsmen.

The Menuki are usually located on the top of the left side (omote) and at the bottom on the right side (ura). We also offer two other possibilities: center both Menuki (on each side), or reverse positions (also called Sakasa Menuki) which will place the Menuki under your palms rather than under your fingers.

Menuki Technical Specifications

Menuki Technical Specifications
Code Description Material Length x Width
MM001
Hishi
This made in Japan Menuki features is a caltrop, also called "devil pod", an aquatic plant. Aluminum 15 mm x 34 mm
MM002
Sake
This made in Japan Menuki features a chum salmon. Sake symbolizes luck and was a very common offering to the gods. Brass 14 mm x 45 mm
MM003
Kenmakiryu
This made in Japan Menuki features a dragon wrapped around a sword. Aluminum 09 mm x 68 mm
MM004
Tombo
This made in Japan Menuki features a dragonfly. The dragonfly, or Tombo in Japanese is also called "Kachi Muchi", insect of victory. Aluminum 13 mm x 39 mm
MM005
Sakura
This made in Japan Menuki features cherry blossom, the luminous and beautiful yet fleeting and ephemeral Japanese cherry tree flower. Aluminum 11 mm x 11 mm
MM006
Ryu Sho
This made in Japan Menuki features a small dragon. It is similar to the bigger version. Brass 11 mm x 38 mm
MM007
Ryu Dai
This made in Japan Menuki features a big dragon. It is similar to the smaller version. Brass 11 mm x 53 mm
MM008
Tsukushi
This made in Japan Menuki features a horsetail, or Equisetum for its scientific name. Brass 06 mm x 58 mm
MM009
Botan
This made in Japan Menuki features a peony flower. Brass 12 mm x 54 mm
MM010
Hitsuji
This made in Japan Menuki features a lamb, symbol of peace and well-being. Brass 11 mm x 27 mm
MM011
Kenkatabami
This made in Japan Menuki features the "Maru ni Kenkatabami" Kamon. This Japanese crest was very popular among the samurai class and was adopted by many clans. Bronze 16 mm x 49 mm
MM012
Mukade
This made in Japan Menuki features a Mukade, a rather huge Japanese centipede. Brass 9 mm x 52 mm
MM013
Kuyomon
This made in Japan Menuki features the symbolic 9 planets in the Buddhism cosmogony. Bronze 15 mm x 45 mm
MM014
Ebi
This made in Japan Menuki features a prawn. Its popularity comes from its symbolism of vigor and longevity. Aluminum 11 mm x 7 mm
MM015
Tachibana
This made in Japan Menuki features a Tachibana flower over Acala's sword (Buddhist's deity). Aluminum 48 mm x 12 mm

Saya Lacquer


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The Saya is made of two pieces of Japanese magnolia wood that are glued together. It is reinforced by the Sayajiri (end of the Saya), the Koiguchi, and of course, the lacquer. Unlike Shinken, Saya lacquers for Iaito are not made from traditional Urushi lacquer but from modern urethane lacquer, due to financial reasons.

Lacquers with a name ending in "ro" have a glossy finish, with a perfectly smooth surface. Lacquers with a name ending in "ishime" have a grainy finish, with a rough touch. The "ro" finish being smoother, the Saya is easier to slip in the Obi (belt).
If you plan on moving a lot with your Iaito, we recommend a "ishime" finish, which has a better resistance to scratches.

  • Inro (SY221): the large wave pattern goes all the way down to the Sayajiri. The wave pattern acts as a grip and therefore might have a slight impact on your practice. It is the standard Saya for the Yagyu Koshirae Iaito and is only available for the Yagyu model. Of course, you are free to select another model.
  • Kuroro (SY101): glossy black lacquer.
  • Kuro-ishime (SY102): grainy black lacquer (scratch resistant).
  • Cha-ishime (SY103): black brown lacquer (scratch resistant).
  • Hon Kuroishime (SY200) and Hon Chaishime (SY201): those two Saya have several additional layers of lacquer and a significantly tighter grain. They can be considered as "Deluxe Kuroishime/Chaishime".
  • Tsuishu (SY202): traditional red lacquer with black and gold painted patterns.
  • Kuro Hirumaki (SY203): Black "tornado" lacquer. The name refers to the traces left by a leech ("Hiru") that would go around the Saya.
  • Shu Hirumaki (SY204): Red "tornado" lacquer. The name refers to the traces left by a leech ("Hiru") that would go around the Saya.
  • Chogai (SY205): ground pearl oyster shell - trapped into black lacquer.
  • Shinobue (SY206): it is the name of a Japanese flute, which the lacquer patterns represent.
  • Inden (SY207): the name refers to a traditional artistic pattern, reproduced here in black and red.
  • Shuro (SY208): crimson red lacquer.
  • Inro (SY221): the large wave pattern goes all the way down to the Sayajiri.
  • Han Same (SY209): A piece of shark skin wrapped at the top of the Saya.
  • Han Fuji-maki (SY210): A piece of wicker wrapped at the top of the Saya.
  • Kuroishime / Kuroro (SY211): upper part Kuroishime style (which prevents finger traces when grabing the Saya), then Kuroro lacquer to the bottom.
  • Wakasa (SY212): ground shells, pine needles, coleseeds or rice husks embedded with specific artistic patterns into red lacquer. Can not be combined with Maki/Kizami finish.

  • Saya Kurikata (optional)


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    The Kurikata is the piece placed 8 cm from the Koiguchi (Saya hole) on the Omote side of the Saya, used to interlock the Sageo.

    The Kurikata is usually placed 8 cm from the Koiguchi. Depending on your body type and on the school you practice, you may want to move away the Kurikata a little. You can set the position up to 20 cm from the Koiguchi, but it shouldn't be farther than 12 to 15 cm. This option increases the production time to about 5 to 6 weeks.

    The Shitodome is a small piece of brass, gold or silver plated, inserted in the Kurikata (the hole in which the Sageo goes). The Shitodome is purely decorative.
    Shitodome can only be fitted on standard Kurikata. Selecting a Shitodome will change any special Kurikata (ie. Dotanuki) to a standard Kurikata.

    Please note that Shitodome only fit on regular Kurikata. If you select a Shitodome for a Dotanuki model with a metal Kurikata, it will be replaced by a standard Kurikata.


    Sageo


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    The Sageo, the twisted lace which is provided on the Saya Kurikata, has two main purposes: it is tied to the Obi (belt) to prevent the Saya from falling when the sword is carried by its owner, and it has an ornamental purpose when the sword is displayed. Some Koryu also teach how to use the Sageo as a weapon or to tie an opponent's hands (Hojujutsu). It is also said that the lace serves as a spiritual bond between the samurai and the sword.

    Iaito Sageo are usually made of lower quality synthetic silk (not offered here) cotton or silk.
    Cotton Sageo are available in plain colors as well as in check patterns.
    Silk Sageo are only available in plain colors. Silk Sageo are woven more tightly than cotton but are also thinner, which gives them a harder touch than the cotton ones.
    Please note that for the Black, Navy, and Azuki Silk Sageo, the former weaving (Kakucho) has been replaced by a new one (Shigeuchi), giving the sageo a thicker look.
    The colors may vary slightly depending on batches due to the traditional dyeing techniques.

    The standard Sageo length is 210 cm. Only the silk Sageo is available in 240 cm.

    All Iaito are delivered with the Sageo tied with a knot called "Ronin" knot, the way most craftsmen do. It is the most common knot for decorative purposes.

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    About Nishijin weaving:
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    Attention: logo embroidery must be discussed prior to placing your order. Undiscussed demands will be ignored and refunded without notice.

    Synthetic Leather Iaito Bag

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    Material: Synthetic leather

    Length: 111 cm or 120 cm Weight: 400 g (max 2.70 shaku)

    Name plate option: Synthetic leather embroidered name plate (maximum 1 name)

    This leatherette bag is designed to hold one Iaito up to 2.65 Shaku, including a small pocket for maintenance accessories.

    • Available in 111 cm (M) or 120 cm (L).
    • Reinforcement on the lower part.
    • Accessory pocket.
    • Synthetic leather - Water resistant.
    • Adjustable and removable shoulder strap.
    • Front insert to fit a name plate.

    "Name Plate" Option (+1,000 JPY): Optionally, you can add a name plate embroidered with your name. This plate is made of synthetic leather, and will be directly integrated on the bag before shipping.
    Please note: given the little space available, it is only possible to embroider either a first name, a last name, or a word (Aikido, Aikibudo etc.)
    For more information about Japanese embroidery, please consult the page "How to Choose your Japanese Embroidery".

    ¥9,800 ~ ¥11,100
    ¥9,800

    Prices vary depending on selected options.

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    Please check the selected 'word count' matches the content entered. "<span class="words"></span>" is (are) considered as one word (each).
    Attention: logo embroidery must be discussed prior to placing your order. Undiscussed demands will be ignored and refunded without notice.

    Kanoko Weaving Iaito Bag

    Made in Japan

    Material: Cotton, Polyester

    Length: 111 cm  (max 2.50 shaku) Weight: ~400 g

    Name plate option: Synthetic leather embroidered name plate (maximum 1 name)

    For practitioners travelling often, this cushioned model provides an excellent protection for your Iaito or Shinken

    • Outer fabric cotton/polyester reinforced
    • Padded interior
    • Reinforcement on the lower part
    • Accessory pocket
    • Adjustable and removable shoulder strap
    • Front insert to fit a name plate

    "Name Plate" Option (+1,000 JPY): Optionally, you can add a name plate embroidered with your name. This plate is made of synthetic leather, and will be directly integrated on the bag before shipping.
    Please note: given the little space available, it is only possible to embroider either a first name, a last name, or a word (Aikido, Aikibudo etc.)
    For more information about Japanese embroidery, please consult the page "How to Choose your Japanese Embroidery".

    ¥16,700

    Prices vary depending on selected options.

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    Please check the selected 'word count' matches the content entered. "<span class="words"></span>" is (are) considered as one word (each).
    Attention: logo embroidery must be discussed prior to placing your order. Undiscussed demands will be ignored and refunded without notice.

    Synthetic Leather Iaito Double Bag

    Made in Japan

    Material: Synthetic leather

    Length: 117 cm  |  Weight: ~650 g (max 2.55 shaku)

    Name plate option: Synthetic leather embroidered name plate (maximum 1 name)

    This leatherette bag is designed to hold TWO Iaito up to 2.55 Shaku or one Iaito and 2 Bokken, including 2 small pockets inside for maintenance accessories.

    • Reinforcement on the lower part.
    • Inside accessory pocket for licence or Nuguigami.
    • Inside pocket for maintenance accessories.
    • Can carry 2 Iaito or 1 Iaito + 2 Bokken or 1 Iaito + 1 Bokken with Tsuba.
    • Inside Iaito pocket are secured with velcro and snap button.
    • Synthetic leather - Water resistant.
    • Adjustable and removable shoulder strap.
    • Front insert to fit a name plate.

    "Name Plate" Option (+1,000 JPY): Optionally, you can add a name plate embroidered with your name. This plate is made of synthetic leather, and will be directly integrated on the bag before shipping.
    Please note: given the little space available, it is only possible to embroider either a first name, a last name, or a word (Aikido, Aikibudo etc.)
    For more information about Japanese embroidery, please consult the page "How to Choose your Japanese Embroidery".

    ¥19,600 ~ ¥20,900
    ¥19,600

    Prices vary depending on selected options.

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    This combination is unavailable. We have reset the options.
    ?
    ?
    ?
    Please check the selected 'word count' matches the content entered. "<span class="words"></span>" is (are) considered as one word (each).
    Attention: logo embroidery must be discussed prior to placing your order. Undiscussed demands will be ignored and refunded without notice.

    Clarino High-End Leather Imitation Iaito Bag

    Made in Japan

    Material: Cotton, Polyester

    Length: 111 cm (max 2.50 shaku) Weight: ~350 g 

    Name Plate Option: Synthetic leather embroidered nameplate (maximum 1 name)

    Especially recommended for the transport of a Shinken (Japanese sword). The material "Clarino" is widely used in the manufacture of Zekken (Kendo) or Bogu and as well for gloves and numerous equipment used by the law enforcement forces. The Clarino is a sort of synthetic leather, imitating the "Suede" leather (top quality). This material is quite rigid, very resistant yet, particularly light, manufactured in Japan by a Japanese company.

    • High quality Japanese synthetic leather
    • Lined with cloth
    • Water-repellent
    • Accessory pocket
    • Reinforcement on the lower part
    • Adjustable and removable shoulder strap
    • Front insert to fit a nameplate

    "Name Plate" Option: Optionally, you can add a nameplate embroidered with your name. This plate is made of synthetic leather and will be directly integrated into the bag before shipping.
    Please note: given the little space available, it is only possible to embroider either a first name, a last name, or a word (Aikido, Aikibudo, etc.)
    For more information about Japanese embroidery, please consult the page "How to Choose your Japanese Embroidery".


    Customer Reviews

    Customer Reviews

    Based on 73 reviews
    90%
    (66)
    10%
    (7)
    0%
    (0)
    0%
    (0)
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    (0)
    L
    Lou (United States/ Battado of Monmouth County)
    Beautiful Craftsmanship

    An incredible Iaito, great craftsmanship. I configured it myself - every detail. I'm very happy Seido shop allows the customer to configure an Iaito down to the small details. My recommendation is to choose the silk Tuska and sageo, the quality is great.

    J
    James (United States)
    The last iaito you need

    I ordered this iaito after training with the Minosaka jidai koshirae iaito for the past two years. After training with an iaito for a while, I discovered that there were a few preferences that I had for a new iaito that I did not order previously. I decided to go with this model since I was ready for some improvements to the overall quality from the jidai koshirae model, and this one did not disappoint. The silk tsukaito feels much better in my hand than the cotton one which has felt a little sticky and has frayed somewhat after a couple of years of practice. The saya is much nicer than my previous iaito, and the kuroishime lacquer looks much better than on the jidai koshirae model. It was definitely worth the upgrade.

    Overall this model not only feels better to use, but also looks nicer than my old iaito. If you're wondering about the quality or the options, this is the last iaito you will need so customize as you see fit (it's really hard to find this level of customization on a Minosaka iaito anywhere). Some of my classmates have been using theirs for upwards of 5 years. I was genuinely stunned that Seido got this to me THREE DAYS after they said it shipped, and I will gladly be purchasing from them again!

    P
    PAF (Fribourg / Suisse)
    Très bon service

    Le matériel reçu correspond parfaitement à la commande. La qualité est au top, les délais de livraison sont respecté. N'hésitez pas.
    Merci Seidoshop. :)

    P
    Pascal Maurer
    Belle arme et excellentes sensations

    Le site de Seido est habilement conçu pour nous permettre de configurer de manière très précise les produits proposés. Après quelques heures de réflexions/recherches, le résultat est époustouflant : un Iaito léger, bien équilibré où le soin mis dans le détail est autant plaisant pour les yeux que les sensations qu’il procure lors du travail. Merci au professionnalisme des artisans !

    P
    Pascal (Aïkido Franches-Montagnes ( Suisse))
    Belle arme et excellentes sensations

    Le site de Seido est habilement conçu pour nous permettre de configurer de manière très précise les produits proposés. Après quelques heures de réflexions/recherches, le résultat est époustouflant : un Iaito léger, bien équilibré où le soin mis dans le détail est autant plaisant pour les yeux que les sensations qu’il procure lors du travail. Merci au professionnalisme des artisans !

    D
    Didier (Beauvechain)
    Magnifique

    Après avoir passé quelques temps à le configurer, le résultat est là.
    Finition impeccable. Idem pour l'emballage.
    On peut faire confiance aux tableaux pour le choix des tailles : c'est parfait en ce qui me concerne 👍🏻.
    Je ne peux que confirmer les commentaires précédents.

    Grâce à la bonne construction du site, commander son Iaito est un vrai plaisir.
    je recommande à tous les yeux fermés.

    J
    Jon (United States)
    Amazing Iaito

    So I ordered one of these about a year ago after much debate and shopping around. I decided to go for this model, due to the starting price point and some of the options. After deciding on what I wanted and waiting a few weeks for it to be made (which was estimated accurately) it was shipped and arrived ahead of schedule. It was absolutely gorgeous, sturdy, and felt perfect in my hands and in practice. I'm pleased to say that after a year of consistent use everything is seriously as secure as the day it arrived! Additionally, I thought I would have to settle for some pieces being a bit different in color compared to some of my other selections - specifically the tsuba as in the pictures they're all gray-ish and I was going in a warmer, brown-and-gold direction. My tsuba arrived brown and has since worn to a nice bright copper color in places, I was delighted to see that they took the liberty of matching the overall color scheme I selected.

    All in all, an amazing iaito I love to use as well as look at. I couldn't recommend this specific model, Minosaka, or Seido enough!

    S
    Saito (Sweden)
    Higo koshirae is the best

    The Higo style iaito from Minosaka is the best in the market I believe: minimalistic curve, kyuyomon kamon, excellent balance, good build quality.

    m
    mslaas (United States)
    Very beautiful iaito

    Very happy with my purchase: this is a beautiful iaito. All of the fittings are clean and elegant, and it feels light and balanced in the hand. I chose silk tsukaito and a slightly longer tsuka to match the length of the blade, and am pleased with the grip and feel of it.

    L
    László (Hungary)
    Very happy with this Iaito

    The product arrived on time despite COVID. The quality and balance of the sword is great, and it looks beautiful. The tsuba is way better than I expected.

    For compliance reasons, reviews placed in French and Japanese and imported here on February 2024 do not display as 'verified'.
    When importing Japanese reviews, the impossibility to automatically determine the presence of a familly name forced us to label all Japanese reviews as 'anonymous' (Familly names in roman characters have been filtered out).


    Set total price:
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    Product & Services

    Iaito Minosaka Higo Koshirae: ¥76,500
    Blade Shape & Groove: ¥0
    Blade Length: ¥0
    Blade Groove: ¥0
    Blade Hamon: ¥0
    Habaki & Seppa: ¥0
    Tsuba: ¥0
    Tsuka Length: ¥0
    Tsukaito: ¥0
    Tsuka Same & Maki: ¥0
    Menuki: ¥0
    Saya Lacquer: ¥0
    Saya Kojiri (optional): ¥0
    Saya Kurikata (optional): ¥0
    Sageo: ¥0

    Accessories

    1 x Nishijin Weaving Iaito Bag: ¥9,400
    1 x Iaito Carry Bag (Synthetic Leather): ¥7,900
    1 x Iaito Carry Bag (Kanoko Padded): ¥9,800
    1 x Double Iaito Carry Bag (Synthetic Leather): ¥16,700
    1 x Clarino Iaito Carry Bag: ¥19,600
    Made to Order | Production: ~ | No Exchanges/Refunds
    Order today and we will ship before
    In stock: ships within 2 working days
    Order today and we will ship before
    Availability : around (Shipping date estimation)
    As we are not able to guarantee the next availability for this product, orders are temporarily suspended. We invite you to come back check the availability around
    This product is out of stock and discontinued. It cannot be ordered any longer.
    Sold out
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